04:07 | 22nd April 2019

Reviews: Live Shows

Fri 11 Aug, 2017
By Robert Ingham

there is... titillation and high-camp, as well as the now infamous flesh-on-show

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Victor/Victoria - Theatre Review

Victor/Victoria - Theatre Review

Victor/Victoria is the wonderful gender bending musical currently in production at London Bridge’s Southwark Playhouse.

Review: The Little Dog Laughed:- Words: Robert Ingham

The Little Dog Laughed is an excellent, well written play flitting between New York and LA, and tells the story of Mitchell (Rupert Friend), Diane (Tamsin Greig), Alex (Harry Lloyd) and Ellen (Gemma Aterton), satirising Hollywood and its attitudes towards its stars, their lovers and those that fall between

Queen Trumps Jack - Megan Mullally & Supreme Music Program

Megan Mullally & Supreme Music Program has descended onto the Vaudeville Theatre, the first time the lady from Will & Grace and her posse have performed outside of the United States. With a mixture of alternative jazz, rhythm n blues and swing, this songstress proves that she has more talents than meets the eye.

Drag Divas - Review

Take five talented Drag Queens, mix in a plethora of past and present Divas and you have ‘Drag Divas’, on at The Arts Theatre in the West End.

He Shoots! He Scores! - Theatre Review

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‘He Shoots! He Scores!’ is the latest musical production from the ever-popular Above The Stag Theatre.

Telling the story of Joe, a young 20-something, who moves to London to start a new life and joins a gay football team whilst maintaining a long-distance relationship with his boyfriend, Charlie. The team, The Hercules Harriers, decide one eventful evening to enter a gay football tournament in Spain but, when they arrive, it turns out it’s not the tournament they expect – with them being the only gay team.

Gays in football? Whatever next?

Once again, there is enough titillation and high-camp, as well as the now infamous flesh-on-show, to keep the audience content, even if it’s not a subject matter we’re entirely ofay with. However, there are some wonderful, funny and even poignant moments, with Duncan Burt being a stand-out, playing the camp kind-hearted but ditzy Tayzr - some of the best lines go to him and he relishes each one.

This musical is peppy, with its heart in the right place, and each actor runs with the rude, lewd and crude script, written by Jon Bradfield and Martin Hooper – all against a simple, yet effective, set design from David Shields.

All in all, a good production to take ATS into their autumn show “Holding The Man”, which promises to be a real tear-jerker. But, if you’re looking for a show with some great tunes, funny puns, a sexy cast who give their all, and a clever take on a well-known Wham song, you can’t go far wrong with “He Shoots! He Scores!”, on until 20th August.


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